Leonard Cohen’s Jukebox
Biggest Influence on My Music – The jukebox. I lived beside jukeboxes all through the fifties. … I never knew who was singing. I never followed things that way. I still don’t. I wasn’t a student of music; I was a student of the restaurant I was in — and the waitresses. The music was a part of it. I knew what number the song was.
– Leonard Cohen (Yakety Yak by Scott Cohen, 1994)
Leonard Cohen’s Jukebox: Over the years, Leonard Cohen has mentioned a number of specific songs he favors. Leonard Cohen’s Jukebox is a Cohencentric feature that began collecting these tunes for the edification and entertainment of viewers on April 4, 2009. All posts in the Leonard Cohen’s Jukebox series can be found at The Original Leonard Cohen’s Jukebox Page.
Leonard Cohen On The Beatles
In “How The Beatles Changed The World,” a 30-minute CBC Radio documentary from Peter Gzowski, first aired in May 1967, Leonard Cohen notes that he has listened to the Beatles on “the AM band” of his transistor radio and specifically describes “Tomorrow Never Knows” as “very, very beautiful.” (See Hear Leonard Cohen Talk About The Beatles – 1967)
“Tomorrow Never Knows” – Background
Wikipedia informs us,
“Tomorrow Never Knows” is the final track of The Beatles’ 1966 studio album Revolver. It is credited as a Lennon/McCartney song, but was written primarily by John Lennon.
The song is significant because it contains the first example of a vocal being put through a Leslie speaker cabinet (which was normally used as a loudspeaker for a Hammond organ) and the use of an ADT system (Automatic double-tracking) to double the vocal image.
“Tomorrow Never Knows” ends the Revolver album in a more experimental fashion than earlier records, which contributed to Revolver’s reputation as one of the group’s most influential and expressive albums.
The Beatles – Tomorrow Never Knows
Note: Originally posted Setp 4, 2009 at 1HeckOfAGuy.com, a predecessor of Cohencentric