Assassin’s Creed Origins will be available October 27 for Xbox One, PlayStation 4 and PC.
The spoken word version of Leonard Cohen’s “Democracy” is the soundtrack for the Mr Robot Season 3 Trailer.
A complete analysis of the trailer and the internet game that introduced it is available at Mr. Robot’s season 3 trailer is here, after a prolonged internet game by Kaitlyn Tiffany (The Verge: Aug 4, 2017)
Grace [Jane Fonda]: I had a threesome with Leonard Cohen!
Grace’s Granddaughter [Rosanna Arquett]: Who didn’t?
Lines from – and, according to Dan Callahan, writing in The L Magazine – “the highpoint of” Peace, Love & Misunderstanding,
OK, this example of “Leonard Cohen at the movies” has nothing to do with the focus of this post, i.e., the role of Leonard Cohen’s music in movies; I just threw it in because it was too good not to post and, besides, I figure we can always use the chortles.
Don’t Wait Until The Movie Comes Out – Read This Now
Your Guide to the Cinematic Life of Musician Leonard Cohen by Monika Bartyzel (posted 27 June 2012 on Movies.com) is an unusually thoughtful, astute essay on the role of Leonard Cohen’s music in the movies.
Bartyzel not only offers commentary on commercial studio films such as Herzog’s Fata Morgana, Fassbinder’s Beware of a Holy Whore, Robert Altman’s McCabe & Mrs. Miller, and Allan Moyle’s Pump Up the Volume but also discusses documentaries (e.g., Harry Rasky’s The Song of Leonard Cohen and Lian Lunson’s I’m Your Man) and Cohen’s own film projects (e.g., I Am A Hotel and, with Lewis Furey, Night Magic).
A strength of the article, in fact, is that it covers many individual movies – although those included are still only a small fraction of the 139 titles that have used Cohen’s music in 44 years [at time of original posting].
Nor are Bartyzel’s insights into the impact Leonard Cohen’s songs have had on a wide range of movies presented in isolation; instead they are integrated into the context of Cohen’s career as a singer-songwriter.
The complete article can be found at Your Guide to the Cinematic Life of Musician Leonard Cohen
Stripper Movies: Not one but two movies about strippers, Atom Egoyan’s Exotica and Michael Radford’s Dancing at the Blue Iguana, feature music by Leonard Cohen.
Watchmen: Few movies have generated more controversy over the use of Leonard Cohen’s music than the this flick’s choice of “Hallelujah” as mood music for a sex scene between two second-tier superheroes. 1HeckOfAGuy.com, a predecessor of Cohencentric, collected and organized the online comments.
- Leonard Cohen’s Hallelujah – Mood Music For Watchmen SuperHeroic Sex Scene
- Leonard Cohen’s Hallelujah In Zack Snyder’s Watchmen – Bizarre, Sublime, Nuked The Fridge?
- Leonard Cohen’s Hallelujah As Watchmen Sex Scene Soundtrack – Debate Continues
- Watchmen Sex Scene Videos: Compare Leonard Cohen & Allison Crowe Versions Of Hallelujah As Soundtracks
Take This Waltz and The Gin Game: While not technically a movie, the TV version of the long running play, The Gin Game, which added Leonard Cohen’s “Take This Waltz” to the original script, uses Cohen’s song in much the same way and to similar effect as a cinematic production.
- An Examination Of Leonard Cohen’s Take This Waltz In The Gin Game – The Basics Of The Play & Its Add-on Dance Scene
- An Examination Of Leonard Cohen’s Take This Waltz In The Gin Game – Part 2: The Tragedy Of Love Touched But Not Grasped
- Toward An Understanding Of Leonard Cohen’s Take This Waltz
Credit Due Department: Graphic atop post adopted from photo CC BY-SA 2.5, via Wikipedia Commons
Note: Originally posted June 29, 2012 at 1HeckOfAGuy.com, a predecessor of Cohencentric
Gallipoli: The Scale Of Our War at Museum of New Zealand Te Papa Tongarewa – Wellington, New Zealand. In Flanders Fields by John McCrae, recited by Leonard Cohen. Also see Video: Hear Leonard Cohen Recite “In Flanders Fields” By John McCrae
Done this short video today while learning how to use DJI Osmo Mobile and my LG V20 mobile phone. Shot at Te Papa, Wellington. The exhibition called Gallipoli: The Scale Of Our War. Flanders fields by Leonard Cohen. So NZ meets Canada . . . . #canada #newzealand #wellingtonnz #Wellington #nz #leonardcohen #tepapa #anzac #gallipoli #war #weta #wetaworkshop #exhibition #video #lgv20 #djiosmomobile #alexefimoff #Flanders
The video starts just before The Stranger Song begins.
Stranger in Paradise, which opens Dutch documentary festival IDFA, is, quite literally, a classroom exercise which assembles would-be migrants in a Lampedusa detention centre and gives them – and the viewer – a brutally direct lesson in the realities of European refugee politics.
Credit Due Department: I was alerted to this use of a Leonard Cohen song in a movie by a LeonardCohenForum post by Jarkko Arjatsalo.
While Leonard Cohen’s music has been featured in more than 50 movie soundtracks, Cohen himself has rarely been part of the cast (other than in documentaries about him).
In The Ernie Game, however, Leonard Cohen plays a cameo role – as a singer who performs “The Stranger Song.”
The Wikipedia entry on The Ernie Game, a 1967 Canadian film (shot in Montreal) by Don Owen, is instructive:
Called “One of the most innovative examples of personal cinema to come from English Canada in the Sixties” by the Cinematheque Ontario, The Ernie Game was part of a proposed trio of works intended to celebrate the Canadian Centennial. The film centres around Ernie Turner and his attempts to survive in the world after he’s released from an asylum. He grows increasingly alienated and his fragile mental state declines, moving between two women, ex-girlfriend and current lover. “The Ernie Game provides a resonant portrait of mental illness,” writes Steve Gravestock of the Cinematheque, “its pathologically narcissistic protagonist representing Owen’s most nightmarish vision of the artist as fraud and pariah.” Owen risked his career at the NFB when he surreptitiously turned what was to have been a half-hour educational film into the of the few English-language dramatic features made in Canada during the 1960s.
Produced by the National Film Board of Canada, The Ernie Game received the Etrog Awards, now known as Genie Awards, for Best Direction and Best Feature Film in 1968. It was also entered into the 18th Berlin International Film Festival.
Jackie Burroughs – Gail
Anna Cameron – Social worker
Leonard Cohen – Singer
Corinne Copnick – Landlady
Rolland D’Amour – Neighbour
Judith Gault – Donna
Alexis Kanner – Ernie Turner
Derek May – Ernie’s accomplice
Louis Negin – Ernie’s friend
Leonard Cohen In The Ernie Game
The video is configured to begin at the start of Cohen’s performance.
Note: Originally posted May 7, 2012 at 1HeckOfAGuy.com, a predecessor of Cohencentric