Well, it was a joke to me – and to a lot of women
Hear this exchange at Leonard Cohen and Anjani, on Steve Wright In The Afternoon. BBC: April 2007 (begins 1:15)
Our natural vocabulary is Judaeo-Christian. That is our blood myth…We have to rediscover the crucifixion. The crucifixion will again be understood as a universal symbol not just as an experiment in sadism or masochism or arrogance. It will have to be discovered cause that’s where man is at. On the cross.
From ‘I’ve Been on the Outlaw Scene Since 15’; Leonard Cohen by William Kloman. New York Times: January 28, 1968. Photo: York University Libraries, Clara Thomas Archives & Special Collections, Toronto Telegram fonds, F0433, Photographer: John Sharp. ASC01708. Originally posted January 24, 2011 at DrHGuy.com, a predecessor of Cohencentric
Most music criticism is in the nineteenth century. It’s so far behind, say, the criticism of painting. It’s still based on nineteenth century art–cows beside a stream and trees and ‘I know what I like.’ There’s no concession to the fact that Dylan might be a more sophisticated singer than Whitney Houston, that he’s probably the most sophisticated singer we’ve had in a generation. Nobody is identifying out popular singers like a Matisse or Picasso. Dylan’s a Picasso–that exuberance, range, and assimilation of the whole history of music.
From an interview with Mark Rowland published in Musician (1988)
The Cohen-Dylan Interface
All posts about Leonard Cohen’s & Bob Dylan’s opinions of each other, their meetings, and comparisons by others can be found at
Leonard Cohen’s comment was spoken to protest the interviewer focusing on issues (e.g., Zionism) that were “too complex, too serious to speak of over coffee.” From Love Me, Love My Gun Barrel by Graham Lock. New Musical Express: February 23, 1980. Leonard also gave yellow as his favorite color in this 1988 video interview.
On Sept. 11, Mr. Cohen was in India visiting another teacher, Ramesh Balsekar. He returned to the States as soon as he could. The level of suffering that he believes is always present in the world had been raised to unfathomable heights. And Mr. Cohen knew better than to try to comfort the comfortless.
You know, there’s an ancient Hebrew blessing that is said upon hearing bad news: ‘Blessed art thou, king of the universe, the true judge.’ It’s impossible for us to discern the pattern of events and the unfolding of a world which is not entirely our making. So I can only say that.
From Look Who’s Back at 67: Gentle Leonard Cohen by Frank DiGiacomo. New York Observer: Oct 15, 2001. Photo by Coast Guard News Originally posted May 2, 2014 at DrHGuy.com, a predecessor of Cohencentric