Photos: Leonard Cohen & His Jeep – 1972

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Leonard Cohen & His Jeep

I suspect this is the jeep Leonard Cohen purchased for use during his sojourn in Franklin, Tennessee:

I moved there [Franklin Tennessee]. I had a house, a jeep, a carbine, a pair of cowboy boots, a girlfriend. … A typewriter, a guitar. Everything I needed1

Compare the vehicle in the shots below with the DJ series “postal jeep” (pictured below) used by the USPS but often resold to individuals. The DJ series was produced from 1955 to 1985.

JeepMailTruck

Since Maggs took other photos of Cohen in nearby Nashville in 1972, it seems likely that the Jeep shots were also taken that year.

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Credit: Arnaud Maggs / Library and Archives Canada, R7959-3101

Note: Originally posted Dec 29, 2014 at 1HeckOfAGuy.com, a predecessor of Cohencentric

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  1. Various Positions by Ira Nadel. Random House of Canada, 1996 []

1988 Video Interview: Leonard Cohen On Dominique Issermann, Israel, Terrorism

leonard-cohen-on-dominique-isserman-israel-terrorism

Leonard Cohen The Incorrigible Poet Part 1
1988 Interview with journalist Patrick Poivre D’Arvo
French with English subtitles

Leonard Cohen The Incorrigible Poet Part 2
1988 Interview with journalist Patrick Poivre D’Arvo
French with English subtitles

Note: Originally posted Dec 14, 2014 at DrHGuy.com, a predecessor of Cohencentric

Everybody Knows: The Fate Of The Long Stem Rose At The 2009 Leonard Cohen Nashville Concert

rose

Everybody talking to their pockets
Everybody wants a box of chocolates
And a long stem rose
Everybody knows

From “Everybody Knows” by Leonard Cohen

Nashville Production Of “The Rose” – In Two Acts

Act I

From bridger15 posting at LeonardCohenForum,

Everybody Knows: At 1.25, LC picks up a long stem rose with attached small flags of Canada, US and the State of Tennessee that I had placed on the stage apron prior to the beginning of the song. LC places it on the drum riser as he often does with gifts.

The video below automatically begins at 1:25.

Leonard Cohen – Everybody Knows
Nashville TPAC: Nov 5, 2009
Video from bridgebud

Act II

rose2

From bridger15 posting at LeonardCohenForum,

I Tried to Leave You: At 5.20, Raphael starts his solo and fails to catch one of his sticks. Roscoe Beck presents him with my long stem rose that LC had placed on the drum riser earlier.

The video below automatically begins at 5:20.

Leonard Cohen – I Tried to Leave You
Nashville TPAC: Nov 5, 2009
Video from bridgebud

Note: Originally posted Nov 7, 2009 at 1HeckOfAGuy.com, a predecessor of Cohencentric

Photos, Videos, Review: 2009 Leonard Cohen World Tour Re-Opens For Business – With A Twist – In Fort Lauderdale, Florida

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Leonard Cohen Displays Revised Repertoire In Fort Lauderdale-Southern Florida-Sunrise-BankAtlantic Center1

While all the reviews of the Leonard Cohen Fort Lauderdale concert I’ve read have been laudatory and at least one has examined the performance in some depth (more about that later), only a few comments at  LeonardCohenForum from fans who attended the performance and the videos of the actual songs from the concert revealed that several of the songs that have been mainstays of the World Tour for the past 16 months have been recast in new arrangements.

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Rather than compose paragraphs of explication that would inevitably flounder in musicological muck, I offer a simple comparison and contrast example of this phenomenon.

Leonard Cohen – Waiting For The Miracle
Fort Lauderdale: Oct 17, 2009
Video from mayormyq

Compare that version with the same song performed by the same musicians just over two months ago in Lisbon.

Leonard Cohen – Waiting For The Miracle
Lisbon Aug 3, 2009
Video from albertnoonan

OK, it’s arguably a tad less dramatic than the shift in content I described in Leonard Cohen World Tour ON ICE – New Marketing Strategy For Florida Shows, but, still, …

Given the undeniable success and popularity of the World Tour and the fact that many of the venues scheduled for the final swing through the USA have never previously been the site of a Cohen concert, it would have been easy to argue that changes were unnecessary and perhaps contraindicated since the new formats could prove less popular than their predecessors.

Besides, shifts in the arrangements of songs would seem to have slight marketing potential. “The Leonard Cohen World Tour, now featuring a new, more complex lyrical formulation of Waiting For The Miracle” just doesn’t strike one as an effective TV commercial in Southern Florida markets.

Finally, there is the matter of logistics. Exactly when, during the hectic concert schedule, were the changes conceived and rehearsed?

My core cynicism notwithstanding, the only likely  rationale for these musical rearrangements I can devise is that Leonard Cohen thought they were indicated for artistic purposes and the audience might enjoy them.2

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The Concert Review To Read

At least one review, Hello and goodbye: Leonard Cohen’s first-ever Florida concert in Sunrise is likely his last by Sean Piccoli (Palm Beach Post: Oct 19, 2009), went beyond the typical reports that listed the songs played and reprinted the standard Cohen cliches to offer some insight into the concert experience. Excerpts follow but do yourself a favor and read the entire piece at the link (Update: The original source is no longer online; a copy of the article is preserved at LeonardCohenForum):

... circumstances point to Cohen’s first-ever concert in Florida — about 40 years in the making — also being his last. There was an undeniable sense of hello-and-goodbye to the old pop laureate’s performance on Saturday night at BankAtlantic Center in Sunrise. “I don’t know when we’ll pass this way again,” he said early on, “so we’re going to give you everything we’ve got.”

Backed by nine players, all skilled and closely attuned to their frontman, Cohen sang more than two dozen of his emotionally eloquent songs, the centerpiece of every one of them being his unusual voice. Cohen’s dusky baritone is anything but trained, but in concert it helped give his confessional lyrics the weight of experience — good, bad and ambiguous.

Inside the slow, soulful waltz of “Bird on the Wire,” Cohen managed to sound both rueful and philosophical — perched between “I’m sorry” and “Oh, well”– when he sang, “I have torn everyone who reached out for me.” His singing was frank, but not without guile.3

… It [his voice] had a way of authenticating language that could be considered archaic (“If It Be Your Will”) or abstract (“Famous Blue Raincoat”). To create a vocabulary for his spiritual self, his inner life, Cohen has dipped into poetry and scripture, and chosen words that might sound florid and dated in other contexts. Here — and partly because he’s been so good at getting every syllable to fit his voice — the lyricism is solid and durable.

… Cohen was also a pleasure to hear between numbers, and an absolute gentleman who kept finding inventive ways to thank the audience — “for climbing the vertiginous heights to your seats for braving the menacing, psychotic, abrasive qualities of people you don’t know for the warm and welcoming reception.”

… it’s not inconceivable that he would play Florida again. But his worldview, as spelled out in his songs, is about the fleeting nature of things. Whether or not he returns here, his thinking on Saturday seemed to be: Play like it’s your last time, because after that it’s all just memory and hindsight.

Credit Due Department:

All of the outstanding  photos of the Fort Lauderdale concert displayed in this post were taken by and used with the gracious permission of hassan.

Note: Originally posted Oct 19, 2009 at 1HeckOfAGuy.com, a predecessor of Cohencentric
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  1. The locations listed, Fort Lauderdale, Southern Florida, Sunrise, BankAtlantic Center, and BankAtlantic, have each been used, usually without reference to the others, by various news sources and blogs to identify the same October 17, 2009 Leonard Cohen concert site. []
  2. I know. I’m disappointed in me, too. []
  3. Emphasis mine. I think this is a wonderfully accurate and succinct characterization of Leonard Cohen’s songwriting and singing. []

Classic Video: Leonard Cohen & Judy Collins Perform Suzanne – 1976

lc-jcollins-suzanneAnd you want to travel with her, and you want to travel blind
And you know that she will trust you
For you’ve touched her perfect body with your mind

Leonard Cohen & Judy Collins – Suzanne
1976 Soundstage TV Broadcast: Chicago
Video by Beta Hi-Fi Archive

Note: Originally posted Feb 17, 2013 at 1HeckOfAGuy.com, a predecessor of Cohencentric