Co-starring Cass Cohen
A video promotion for Adam Cohen’s “We Go Home” album focuses on recording sessions that took place in his father’s homes in Montreal and on Hydra and thus offers many views of these residences.
Also featured are several Hydra scenes (other than Cohen’s home) and appearances (including a speaking part) by Cass, Adam Cohen’s son and Leonard Cohen’s grandson.
Adam Cohen – We Go Home – EPK
Note: Originally posted July 16, 2014 at DrHGuy.com, a predecessor of Cohencentric
Marianne, Hydra And The Love Affair With Cohen
By Evangelia Avlonitou (Kathimerini: June 14, 2015)
Translated into English by Demetris Tsimperis
Marianne Ihlen, the woman who inspired the song «So Long Marianne» by Leonard Cohen and had a love affair with him during the years they lived in Hydra, is sitting opposite me in a cafe at the harbor of the island. She is beautiful, charming and humane, awaiting – a bit anxiously- my questions. I did not come with questions, I reassure her, taking off my glasses. I came only with a bag and a book excerpt in my mind. She laughs, relieved. “How good” she says and sinks into her chair. I explain to her that the passage I am going to share with her is by a 87 year old Australian writer, Elizabeth Harrower.
Harrower writes: “A woman may encounter at any time in her life, a concrete pyramid in the middle of the road. It is usually a man or more. The woman is capable of sitting there convinced that it is impossible to proceed until finally the pyramid becomes her personal Thermopylae. This obstacle may contribute to the perpetuation of the species, but its price is heavy. What makes men superior is that – most of them – don’t stop to function forever because of another human being. They lack this inherent disadvantage and they are lucky”. Marianne laughs loudly. “How true is this” she says taking off her dark glasses. “I climbed this pyramid, I fell down and then moved on”. We stay silent for a while. Me out of respect and she for her own reasons. The midday flying dolphin has just arrived at the port of Hydra and our silence is covered by the sounds of the crowd.
“I saw the film ‘Boy on a Dolphin’ in a cinema in Oslo in the ’50s and I thought here’s a place that I will never go. And here I am,” she says, and what impresses me more than the coincidences of life, is that her eyes – blue of ice and sky – are so different from the eyes of most people today; warm and vivid, full of patience and gentle curiosity. “If I hadn’t met Dalai Lama in Norway in ’52 I would never have come here” she continues. “It was he who gave me the courage to leave my home and who first taught me the meaning of compassion; to accept, to overcome and to not criticize.”
My house [in Hydra] looked beautiful, and it looks exactly the same as it always did. It doesn’t have a great view. It’s a big house full of little rooms. Rooms about half the size of this kitchen. And just with old tables and chairs that people gave me, most things in that house were given to me by people who were moving up and could afford a better table, like the Johnsons, gave me the kitchen table because they made a little money and they bought a better table. And that’s what we would do for the new generations coming in. At first all my pots and pans were second generation, you know, and then you made a little money and you could buy your own pot and pan and you’d give your pot and pan to the next kid who was moving in. At that stage when I was living with Marianne, we didn’t have any money… Well, Axel had made a little money, so there were some things from his house that found their way into my house.
From Leonard Looks Back On The Past, an interview with Leonard Cohen by Kari Hesthamar, Los Angeles, 2005 (Unedited interview for the Norwegian Radio). Found at LeonardCohenFiles. Photo by Rauli Arjatsalo of The Leonard Cohen Files.
Note: Originally posted May 11, 2011 at DrHGuy.com, a predecessor of Cohencentric
Photo posted on Instagram by manykitchen