St Louis Fox Theatre marquee promoting the Nov 7, 2009 Leonard Cohen show at that venue Note: Originally posted October 1, 2010 at DrHGuy.com, a predecessor of Cohencentric
The first and second images are posters and the photos below are a post card given to audience members at earlier Leonard Cohen concerts. All advertise, some more prominently than others, the Leonard Cohen appearance at The Big Chill in Ledbury, UK on August 3, 2008.
Credit Due Department: Postcard views contributed by Dominique BOILE.
Note: Originally posted July 31, 2011 at DrHGuy.com, a predecessor of Cohencentric
July 31, 2009 Leonard Cohen León Concert Review
The following text is a Google translation of the opening paragraph of Leonard Cohen tiñe León con la amargura de sus plegarias poéticas by Cristina Fanjul, published in Diario de León on August 1, 2009. Although the computer translation is, as is often the case, almost comic at points, the language approaches poetry, leaving those of us ignorant of Portugese wondering how lovely this newspaper review of a Cohen concert must be in its native idiom.
As a contemporary Lord Byron, the beautiful loser with a burning violin, Leonard Cohen led thousands in León to recover the beauty of songs which after years of silence. Wearing his hat as master of ceremonies, the Canadian poet deployed the magic of Dance Me To The End Of Love, The Future, Ain’t No Cure For Love and Everybody Knows. Leonard Cohen yesterday became one of the most important cultural events of the city and Leon Arena was capital for almost three hours of epic music that shapes a poet to transcend the mud, singing and continues to look for individuality that he considers unattainable.
Credit Due Department: These gorgeous photos from the July 31, 2009 Leonard Cohen concert in León were taken by Indiana Caba.
Note: Originally posted Aug 2, 2009 at 1HeckOfAGuy.com, a predecessor of Cohencentric
More Than A Thousand Kisses Deep
Leonard Cohen’s recitation of “A Thousand Kisses Deep” has varied in content over the years. This composite of some of these versions is an especially gratifying coalition of international forces, featuring AlanM5049 of Adelaide, Australia, Roman Gavrilin (aka Hermitage Prisoner) of St. Petersburg, Russia, Sony of Canada (and everywhere else on Earth), DrHGuy of Chapel Hill, North Carolina, and Leonard Cohen, residing in Los Angeles, California [at the time of the original posting].
AlanM5049 describes the process.
I initially contemplated conjoining all the verses of “A Thousand Kisses Deep” from the several versions presented during the Leonard Cohen World Tour. A LeonardCohenForum posting by Goldin, Two “A Thousand Kisses Deep” recitations from 1997-1998,1 however, directed me to older recordings, which I analyzed for content.
I cleaned up the sound on both where I could, but the connections between the versions were too abrupt.
Cohen’s pauses and Neil Larsen’s organ playing in the “Live In London” recording of “A Thousand Kisses Deep” provided the opportunity to integrate the unduplicated verses from the earlier recordings. I looped each organ piece several times until I had enough to add to the unaccompanied verses. I think that although the acoustics of the three recordings are different, adding the organ track has supplied the continuity I was seeking. I confess that until I separated out Neil’s music, I hadn’t realized how beautifully complex it is.
I also moved the last stanza from the “Live In London” recording, at which point the delivery slows, to the end to produce a sense of an ending.
Cohen spoke a bit faster in the unaccompanied recitations, but when I tried to slow the speed the result sounded like “phasing,” dissuading me from using the slower version.
I was stimulated to finish the project by the impressive result created by combining Cohen’s recitation [of “Two Worlds,” a “specially written verse” of “A Thousand Kisses Deep”] with musical backing in the Sony 3D television advertisement.
DrHGuy Note: My own role was limited to adding photos and a movie clip pertinent to Leonard Cohen as well as a few sketches by the Canadian singer-songwriter to complete the video montage.
“A Thousand Kisses Deep” By Leonard Cohen
A Composite Presentation
Note: Originally posted Dec 30, 2011 at 1HeckOfAGuy.com, a predecessor of Cohencentric
- The pertinent portion of that post follows:
I’ve found on YouTube 2 unattributed recitations. Haven’t received replies from the uploaders so far, but I think I cleared up the details.
1. The first recording is inexplicably under-viewed (less than 1 view per day!). It is a fragment of 1997 – Beautiful Losers – Arte Network, France – 34m Interview for French TV, broadcast on 29 July 1997. See screenshot @ Diamonds in the Mine to receive evidence: “film & arts” logo, the same suit, the same window frame finally 🙂
2. The other one is extremely popular (more than 1,1 million views) audio-only recording, Briefly, this recitation is taken from KCRW interview (March 3, 1998). It was mentioned on the Forum by Jean-François Bédard in 2002 and by Tom Sakic in 2003. This lyrics also appeared here, in Lily’s post. But the lyrics recited in 1997 are little-known. Google finds its ONLY appearance on the Net.
Read this masterpiece below and note the second strophe!
A Thousand Kisses Deep (1997)
Don’t matter if the road is long
Don’t matter if it’s steep
Don’t matter if the moon is gone
And the darkness is complete
Don’t matter if we lose our way
It’s written that we’ll meet
At least, that’s what I heard you say
A thousand kisses deep
Don’t matter if you lie to me
Don’t matter if you cheat
When you sell me down the river
I’ll pretend to be asleep
There’s a pair of leather gloves for you
And a blade against your cheek
But it’s strange what you forget to do
A thousand kisses deep
I loved you when you opened
Like a lily to the heat
You see, I’m just another snowman
Standing in the rain and sleet
Who loved you with his frozen love
His second hand physique
With all he is and all he was
A thousand kisses deep [↩]
Lissadell House Request
As many fans know, Leonard Cohen performed two magnificent concerts at Lissadell House, Sligo on July 31 and Aug 1, 2010. (See Leonard Cohen & Yeats: The 2010 Lissadell House, Sligo Concerts)
Michael Purcell alerts us that
The owners of Lissadell, Edward Walsh and his wife Constance Cassidy, have posted a request looking for suggestions for the naming of a garden in Lissadell to commemorate Leonard Cohen ~ the centerpiece will be the Plaque and Canadian Maple tree as reported in The Nationalist in September 2010.
In the near future they hope to establish a Leonard Cohen Interpretive Centre to complement The William Butler Yeats Gallery which was opened by Leonard on 1st August 2010.
The Facebook post and some names already suggested can be found at Lissadell House – Leonard Cohen Garden