Photos taken and shared by Kezban Özcan.
Note: Originally posted Jan 23, 2012 at 1HeckOfAGuy.com, a predecessor of Cohencentric
There is no precedent in popular music for Leonard Cohen. An acclaimed poet and novelist in his 20s, he didn’t record his first album until he was 33, when he had the distinction of being the first “New Dylan” who was older than Dylan himself. Many of the lyrics on his vinyl debut, Songs of Leonard Cohen (released December 27, 1967), were built around his old poems. Three of its gentlest and most melodic tracks, “Suzanne”, “Sisters of Mercy”, and “Hey, That’s No Way to Say Goodbye”, became standards. But most of the record was steeped in the unforgiving religiosity of the Old Testament and saturated by the pain of unsatisfied lust, providing a Winter of Our Discontent counterpoint to the Summer of Love. That bleak path is the one Cohen has followed for the last 40-plus years, though as he memorably put it in 1992’s “Anthem”, “There is a crack in everything / That’s how the light gets in.”
Leonard Cohen: Old Ideas by Jeff Schwager. PopMatters: 31 January 2012.
Note: Originally posted February 10, 2013 at DrHGuy.com, a predecessor of Cohencentric
In this holiday-appropriate, if commercially convenient, Valentine’s Day proclamation, HMV dubs Leonard Cohen “King Of Hearts,” suggesting perhaps that a male customer might efficiently and economically establish his own romantic credentials for a mere £10 by purchasing the Old Ideas CD as a gift for his main squeeze.
The first image above is the original photo taken and shared by Hit Parade. The second image is the same photo realigned for archival purposes. Thanks to Roman Gavrilin aka Hermitage Prisoner, whose post alerted me to this timely post.
Note: This entry, originally published Feb 15, 2012 at 1HeckOfAGuy.com (a predecessor of Cohencentric), is the third in a series of three posts examining the ascension – unique among Leonard Cohen recordings – of the Old Ideas album’s ascension on the best-selling music charts.
The two preceding posts in this series established the following:
1. Old Ideas hit the top of the charts: Leonard Cohen’s newly released album, Old Ideas, found comfortable lodging in such prestigious addresses as #1, #2, and #3 in the sales charts throughout the US, Canada, Europe, and Australia.1 Whether Old Ideas is only shacking up in these notoriously hip and trendy neighborhoods for a week or two or is able to commit to a longer stay, it is certain that this visit has proved a rewarding one for Leonard Cohen, his management, his record company, and his fans.
While Leonard Cohen’s music has previously enjoyed isolated pockets of popularity (e.g., Leonard Cohen has always been big in Norway), the widespread sales success of Old Ideas is unprecedented.
2. Marketing Leonard Cohen has not been a priority in the past: Historically, the marketing support expended by Cohen’s record company has, at least according to the Canadian singer-songwriter’s own testimony, ranged between abandonment and benign neglect. Cohen’s promotional efforts in his own behalf have been only marginally more effective.2
3. The music industry has changed so dramatically that quantitatively comparing Old Ideas sales to sales of Cohen’s previous albums is difficult, if possible at all: In the past decade, the economics and, consequently, the mechanics, goals, and methodologies of the pop music business have altered so dramatically that making precise distinctions between the marketing and sales of Old Ideas and earlier Cohen albums would require complex and arduous calculations; for practical purposes, quantifying the variations in popularity and sales of Old Ideas via-a-vis its predecessors is impossible.3
That changes are impossible to quantify, however, does not mean it is impossible to judge that a change has taken place. A perpetual preoccupation of sportswriters and fans is comparing teams (e.g., 1985 Bears VS 1962 Packers) or individual players (e.g., Kareem Abdul-Jabbar VS Michaels Jordan) who may have played shorter or longer schedules, against tougher or lesser competition, under different rules, … . Clearly, such calculations are precarious and undependable. On the other hand, it is intuitively clear that the Chicago Bulls with Michael Jordan, a NBA powerhouse winning six championships in eight years in the 1990s, were far more successful than the pre-Michael Jordan Chicago Bulls of the 1960s, 1970s, and 1980s, regardless of any changes in the game during those years.
Similarly, the gross comparisons between the sales of Old Ideas VS Cohen’s earlier work permits no conclusion other than Old Ideas is more successful.
The question is …