Cohen, by evidence of his elegant, intrepid new album and his lithe manner of holding court, rakish in a well-cut suit, a trademark fedora shored upon his knee, still holds in firm possession a twin nature that has become the stuff of myth and gospel, prattle and prayer. There is the wit that can be scabrous, the meditations that are by turns reverent and apocalyptic, the tenderness that shifts suddenly savage, the imperishable questing within and without that appears at once futile and cardinal, the humor often mordant and swiftly bewitched, the meter of longing, the rhyme of despair, the sullied shoes marching or stumbling ever toward that which will make us whole.
Read the full review at Leonard Cohen on the Inner Workings of His New Album ‘Popular Problems’ by Todd Aaron Jensen. Bio: Dec 1, 2014.
Credit Due Department: Photo by Rama – Own work, CC BY-SA 2.0 fr, via Wikipedia
Note: Originally posted Dec 1, 2014 at DrHGuy.com, a predecessor of Cohencentric