Photos ©Herman Leonard Photography
Oh, Marianne was terrific, and of course one never, at that age one is mostly interested in beauty. And she had beauty in abundance, I think that’s mostly what one saw, what anyone would have seen with Marianne, this glorious beauty, and then she was an old-fashioned girl, and I kind of come from an old-fashioned background myself, so, the things that I took for granted with Marianne, and she perhaps took with me, a certain kind of courtesy and behavior and ritual and order, which became very scarce as I got older, I didn’t find it with such abundance in other women. But Marianne had some wonderful family qualities, and the home that she made was very very beautiful, very old fashioned. I don’t know how things go now with the young, but that house was very orderly and there was always a gardenia on my desk where I’d work, you know. There was such a sense of order and generosity, that she had, that she still has.
From Leonard Looks Back On The Past. Interview with Leonard Cohen by Kari Hesthamar, Los Angeles, 2005, Found at LeonardCohenFiles.
I feel the exact opposite. These people created my life. It’s a modest one, but I’ve been able to live and send my kids to school and lead this charmed and lucky existence. At least, that’s the cover story – I’m not talking about my own inner turmoil. I was never a punk, you know? It isn’t my style to be ungrateful to people who buy my records and come to my concerts.
Leonard Cohen, responding to the interviewer’s query, “So you don’t follow Bob Dylan’s credo,’Just because you like my music doesn’t mean I owe you anything’?” in Leonard Cohen by Neva Chonin (Rolling Stone: December 11, 1997)
Note: Originally posted Dec 28, 2014 at DrHGuy.com, a predecessor of Cohencentric
When Malka Marom, a Canadian-Israeli musician and broadcaster, walked into a destitute Toronto night club in 1966, she was swept off her feet. The music, played by Joni Mitchell, mousy-looking and still unknown, was unlike anything she had heard before. Soon thereafter, they became lifelong friends; Marom’s book Joni Mitchell in Her Own Words is a compilation of conversations they had over a 40-year period. She is now working on another book, featuring conversations with another great Canadian singer-songwriter: Leonard Cohen.
From podcast description
The April 23, 2018 podcast can be heard at Malka Marom’s Great Canadian Songbook: Joni, Leonard and I
DrHGuy Note: Of course, this begs the question of how he got those girls over a lute to start with.
From Beautiful Creep By Richard Goldstein. Village Voice: December 28, 1967. Photo of Leonard Cohen performing at Queen’s Park Love-in – Yorkville, Toronto 1967, taken by Bill Dampier, is credited to York University Libraries, Clara Thomas Archives & Special Collections, Toronto Telegram fonds, F0433, ASC26833. Originally posted Dec 5, 2013 at DrHGuy.com, a predecessor of Cohencentric
This photo – one of my favorite shots from the 2009 Tour – is from the Feb 1, 2009 Leonard Cohen concert at Centennial Vineyards, Bowral, Australia. The photo is by Amanda at Flop Eared Mule
Leonard Cohen quoted in Leonard Cohen: Several Lifetimes Already by Pico Iyer (Shambhala Sun, September, 1998). Originally posted Nov 26, 2013 at DrHGuy.com, a predecessor of Cohencentric
Introduction To The Anjani Chronicles
Anjani is the exquisite, exotically featured singer and keyboardist best known for her Blue Alert CD, a collection of elegantly performed songs suffused with evocative lyrics, and her professional and romantic relationships with Leonard Cohen, an accomplished singer-songwriter in his own right. My own connection to Anjani began in July 2006 when I posted Music Recommendation That Will Make You Want To Kiss Me, a review of Blue Alert that reflected my captivation with the music. An online flirtation and email relationship between us ensued.1 The Anjani Chronicles is a sequence of posts based on the content of my interviews with Anjani.
Anjani Goes To New York, Meets Leonard Cohen, & Finds Romance – But Not In That Order
Today’s post, the third of this series, begins at the point The Anjani Chronicles – Anjani Does Waikiki, Boston, and The Slough Of Despond ended, with Anjani’s departure from Boston’s Berklee School of Music and extends through her move to New York and her first meetings with John Lissauer and Leonard Cohen.
Home Again, Home Again
After deciding that she had reached the point of diminishing returns at Berklee School of Music, Anjani returns to Hawaii and to gigs on the hotel lounge circuit. In retrospect, the next major turn in her life seems inevitable: a young, beautiful, talented Anjani performing for audiences in luxury hotels on the romantic beaches of Hawaii falls for a tourist from the mainland.
As she explains the experience in an interview with the Honolulu Star Bulletin,
I was in my 20s, and he was the kind of man that swept you off your feet.
What are the odds?
Anjani is, indeed, sufficiently smitten that, pausing barely long enough to pack up all her cares and woes, her cold weather gear, and her Fender Rhodes Stage 88, she follows the guy back to his home in New York where – well, this isn’t the “they lived happily ever after” part of the story.
For one thing, Anjani is clear that New York was not her choice of ideal locales,
I ended up in New York. (It wasn’t music that drew me there). It was a man. I never would have gone there otherwise, I don’t think.2
Anjani is reluctant to provide details, especially about the New Yorker. With some repeated promptings (OK, after some nagging), she does summarize the experience:
It was crush at first sight but I also had rock fever and he was a good excuse to leave [Hawaii]. It was destined to fail as we were both young and dysfunctional; and I recall in particular dreading the joint Gestalt therapy sessions. I’m more of a feeler than a talker. I’ve since learned to express myself and (gasp) consider someone else’s feelings in a relationship.
A year later, concluding that the relationship “isn’t going to work,” Anjani calls the only other person she knows in New York (another musician of course), who agrees that she can crash at his fifth floor walk-up until she can find a place to live.
When she does find that place to live, five years later, she will be leaving for Los Angeles – to live with her new husband.
But I’m getting ahead of the story.
Just now, in fact, the script calls for a cameo appearance of a beloved character from the first episode of the Anjani Chronicles, …
Attributed to Leonard Cohen by singer-songwriter, Adam Green. Green tells the interviewer that Cohen made the comment to him while at a Bar-B-Que at Lou Reed’s house. From Adam Green – What Makes Him Act So Bad by Landry (Luxury Wafers: January 5, 2010). Photo by Rama. Originally posted February 22, 2010 at DrHGuy.com, a predecessor of Cohencentric
Leonard Cohen a sex symbol? No Kidding, Tom
Tom Power introduces us to Leonard Cohen in concert at Copps Coliseum in Hamilton on April 9, 2013, Also, Leonard Cohen performs parts of “Dance Me To The End of Love”
Note: Originally posted April 17, 2013 at DrHGuy.com, a predecessor of Cohencentric