Then you have invented for yourself a very non-typical existence for a performer.
I think the value of anybody on a stage is where he comes from. It’s not really so much what he does at the moment, assuming that it reaches a certain level of excellence. The interesting thing for me is what a man or a woman brings from his or her own personal kind of ambience to the stage. I’m only valuable at this moment because I don’t live that star’s life. When I stand on a stage, I feel I bring my private life with me there and that that’s what’s interesting or amusing. That’s what’s entertaining about me. When I see other people perform, I think the same way. When I see Joni Mitchell perform, I think this is really the story of a girl who moved from the prairies to Beverly Hills. When I see myself, I think this is the story of a guy who was born in Montréal and lives there still. And there are different kinds of stories, you know? And I think that’s what’s interesting about all of us.
Leonard Cohen Looks at Himself by Danny Fields. Soho Weekly News, Vol. 1, #9. December 5, 1974