Tell me about Book of Mercy. What were the circumstances that generated it?
Silence. I was silenced in all areas. I couldn’t move. I was up against the wall. It was the only way I could penetrate through my predicament. I could pick up my guitar and sing but I couldn’t locate my voice… I began to have the courage to write down my prayers. To apply to the source of mercy. At first I had tried to deal with it by not writing. I felt that writing was a kind of self-conscious activity that might come between me and what I wanted to speak. But I found that was the way that I speak. I found that the act of writing was the proper form for my prayer. It was the only type of sound I could make. I didn’t bring much to it. I didn’t bring concerns about whether there is a God or not. Those are just questions of the mind. The mind has the capacity to question but not to answer… Now I find it’s the toughest book to talk about. Because it is prayer. One feels a little shy about the whole thing. We’re such a hip age. Nobody wants to affirm those realities. It doesn’t go with your sunglasses. But I know that the voice in the book is true. And I know that the book is true. It lifted me up to write it.
From Strong Voices: Conversations with Fifty Canadian Authors by Alan Twigg (Harbour Pub: 1988).