In many ways, [your 1992 album] The Future picked up on what was in the air and became almost prophetic.
I think that sensibility is nothing you can summon, but it really arises if you keep uncovering the song and trying to get beneath the slogan – either the emotional slogan or the political slogan. So much of the work that I hear, there’s nothing wrong with it, but much of it has the feel of a slogan or an agenda that’s already been written. It’s a perfectly good slogan, and there are interesting variations on it. But if you’re interested in forming yourself through your work, which I think is more interesting, then you have to keep uncovering and discarding those slogans until you get something. When you have those moments where you inform yourself of something that wasn’t immediately apparent, that’s when it becomes interesting.
From Everyone Loves You When You’re Dead (and other things I learned from famous people) by Neil Strauss (The Truth About Lies: July 9, 2011)