[I bring] anything I can bring to it [writing a song]. Thought, meditation, drinking, disillusion, insomnia, vacations… Because once the song enters the mill, it’s worked on by everything that I can summon. And I need everything. I try everything. I try to ignore it, try to repress it, try to get high, try to get intoxicated, try to get sober, all the versions of myself that I can summon are summoned to participate in this project, this work force. I try everything. I’ll do anything. By any means possible. [Interviewer: ‘Do any of these methods work best?’] No. Nothing works. After a while, if you stick with a song long enough, it will yield. But long enough is way beyond any reasonable estimation of what you might think long enough may be.