I’m Your Man, that started off as a song about ‘waiting for the miracle.’ It had some funny lines in it like waiting for the miracle, there’s nothing left to do / I haven’t been this happy since the end of World War II. But I couldn’t sing it. I wasn’t waiting for the miracle, or maybe I was and I didn’t like the victimized position. Then it became a song called I’ve Cried Enough for You, where I was talking to myself, you know, I’ve never seen the sky so blue the grass so green the day so new / I can’t believe it but it must be true / I’ve cried enough for you. And that didn’t work. ‘Cause what I was really trying to say was, ‘I’ll do anything for you.’ But it took two or three more writings and recordings of the song to get to I’m Your Man, which is just a perfect little song. It was hard to get to those truths.
Leonard Cohen’s Nervous Breakthrough by Mark Rowland, Musician, July 1988