First, Old Ideas Hits the Charts
Leonard Cohen found himself in unfamiliar territory when his Old Ideas album quickly and decisively garnered high rankings on the sales charts in countries around the world.1 The chart below, for example, show the Feb 2, 2012 iTunes Store Top 10 albums by country.
Now, Old Ideas Hits The Best Of 2012 Lists
Now it’s the time of year when music journals and other institutions announce their choices for the best album of the year. Here’s how Old Ideas is doing so far.
Old Ideas By Leonard Cohen – Uncut’s Album of the Year 2012
Leonard Cohen’s Old Ideas Is #5 On Spinner’s 50 Best Albums Of 2012
Posted Dec 7, 2012 at Spinner’s 50 Best Albums Of 2012. Spinner had also listed Old Ideas in its July 9, 2012 post, The Best Albums of 2012 So Far — And How to Enjoy Them!:
Leonard Cohen, Old Ideas: The 77-year-old legend’s voice has deepened so richly over the years that it would be a pity not to listen to this album by sipping a finely aged scotch and contemplating life.
Spinner’s Top 5 Albums for 2012 follow:
1. Fiona Apple, The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do
2. Frank Ocean, Channel Orange
3. Japandroids, Celebration Rock
4. Kendrick Lamar, good kid, m.A.A. d city
5. Leonard Cohen, Old Ideas
Leonard Cohen’s Old Ideas Is #4 On American Songwriter’s Top 50 Albums Of 2012
From American Songwriter’s Top 50 Albums Of 2012 (American Songwriter December 4th, 2012):
4. Leonard Cohen: Old Ideas
The album title is Leonard Cohen’s little joke, implying that his latest album will have more of the same explorations of love, sex, faith, death, and all the other weighty topics he has assayed over his long recording career. Old Ideas is far from derivative of past glories though. Cohen’s self-deprecating humor perfectly balances out the philosophical stuff. Take “Going Home,” in which the singer imagines himself as God and describes his servant Leonard as “a lazy bastard living in a suit.” As usual, the instrumentation is pretty spare, allowing Cohen’s fathoms-deep voice to take center stage. That instrument is still surprisingly potent, especially when it shows its vulnerability on the questing “Show Me The Place.” Leonard may feel that God has a harsh opinion of him, but we mortals can’t help but be swayed by these Old Ideas.