Leonard Cohen played Kungliga Tennishallen in Stockholm, Sweden on April 3, 1972. This photo was taken by and posted with permission of Lars Sandblom. Originally posted Oct 14, 2014 at DrHGuy.com, a predecessor of Cohencentric
It’s all coming down to the wire now. Home to roost. It’s Tuesday night and this is the first rehearsal with Jenny and Donna, the two new singers, who’ve just got in from LA. The excitement is so strong in here you can touch it. The tour begins in two days. The lights are low and the garbage can is stuffed with ice, wine and champagne. These girls have got to work.
Jenny is tall, with straight blond hair down to her shoulders. She stands holding her body straight but easy, a feeling of calm to her. She came from playing the lead in Hair in Los Angeles. Donna is a bit shorter, with a fuller more sexual body, long light blond hair falling in natural curls over her shoulders. She’s less calm than Jenny, more in need of reassurance.
The singing is going well. The first song. If it’s going to come together, it’s got to be now. Leonard is looking truly adolescent. Worn brown sneakers, favorite black slacks, old favorite grey sweater hanging loosely from his shoulders. He’s listening to the girls and smiling as he sings. Standing at the mike, shoulders in their slight hunch, feet together, tapping, swaying slowly from side to side. *Oh you are really such a pretty .little one / I see you’ve gone and changed your name again. Peter, on electric bass, is tapping away smiling, David looks happy, too. Just as I’ve climbed this whole mountainside / To wash my eyelids in the rain. The music takes off. Ron starts smiling, Bob too, *Oh so long Marianne / It’s time that we began / To laugh / and cry / and cry / and laugh /about it all again.
The new girls respond beautifully and they sing the last refrain again. The song finished, Leonard turns to the girls, he’s smiling, delighted. “Fabulous . . . fabulous . . . just fabulous,” he can’t get over how well the song went. He’s shaking the girls’ hands saying, “Congratulations.” He’s just like a kid, he’s so happy. People break to get some drink, but Leonard is too excited. Com’on, let’s keep going. Hey seriously that was fabulous. I’m so excited I’ve lost the capo from my guitar.” He is stumbling around through the mike booms and chairs looking on the floor and table and chairs for his capo. “Hey, anyone seen my capo . . .?” The girls are giggling they’re so happy it’s come together. Leonard is still stumbling around: “Those sounds were so beautiful I couldn’t sing, like music to my ears . . . I’m so happy there are voices out there, the voices came.” He’s standing still now, overcome.
They get back together, Leonard saying, “Let’s do Thin Green Candle . . . no, no, let’s do Joan Of Arc.” They begin and suddenly in mid-verse Leonard stops: “I’m sorry we might as well cool this right now, I can’t sing. It’s too beautiful.” They look at each other. “The reason I need girls to sing with me is that my voice depresses me.” Donna protests, “No . .. no,” but Leonard goes on, “No, seriously, that’s the truth. I need your voices to sweeten mine. No really, that’s the truth. So please try to sing something simple in harmony with my voice.” And they swing back into another song . . . and it works.
From Famous last words from Leonard Cohen by Paul Saltzman (Macleans: June 10, 1972). The photo of Jennifer Warnes & Donna Washburn taken by Sherry Suris at the April 19, 1972 Tel Aviv soundcheck was a generous gift from Jennifer Warnes..
Unless Adam and Eve face each other, God does not sit on his throne. Somehow, the male and female parts of me refuse to encounter one another tonight, and God does not sit on his throne. This is a terrible thing to happen in Jerusalem.
Note: Originally posted Apr 16, 2014 at DrHGuy.com, a predecessor of Cohencentric
In addition to the images featured in yesterday’s post, Singular Photos From Jennifer Warnes: Leonard Cohen Soundcheck – Israel 1972, we have received this shot of Jennifer Warnes & Donna Washburn as backup singers at the April 19, 1972 Leonard Cohen Tel Aviv soundcheck.
Credit Due Department: Photo by Sherry Suris
Note: Originally posted Oct 4, 2013 at 1HeckOfAGuy.com, a predecessor of Cohencentric
Jennifer Warnes Contributes Rare Images
These singular photos1 from Jennifer Warnes’ private stash were taken by Sherry Suris at either the April 19, 1972 Leonard Cohen Tel Aviv soundcheck or the April 20, 1972 Jerusalem soundcheck.
- Leonard Cohen: Guitar, Vocals
- Ron Cornelius: Guitar
- Bob Johnston: Keyboards
- Peter Marshall: Bass
- David O’Connor Guitar
- Jennifer Warnes: Vocals
- Donna Washburn: Vocals
Source: Is This What You Wanted? by Jim Devlin
Credit Due Department: These photos are posted here exclusively through the generosity of Jennifer Warnes. Special thanks go to David Rubin, without whose assistance this posting would not have taken place.
Note: Originally posted Oct 3, 2013 1HeckOfAGuy.com, a predecessor of Cohencentric
- OK, in this case, “singular” means “I don’t recall seeing, these photos previously [↩]
Note: While the poster used in the video (see below) does promote a 1972 Leonard Cohen concert at Circus Krone in Munich, it doesn’t promote an April 11, 1972 show. Note the dates at the left top corner. For more information, see The Leonard Cohen Munich Concert Poster Mystery.
1. So Long, Marianne
2. Bird On The Wire
3. You Know Who I Am
4. Lady Midnight
5. Joan Of Arc
6. The Stranger Song – solo
7. One Of Us Cannot Be Wrong
8. Tonight Will Be Fine
9. The Partisan (aborted)
9a. I Always Sing Alone (improvisation)
9b. The Partisan (continued, Take 2)
10. Sing Another Song, Boys
11. Famous Blue Raincoat
12. Take The Girls Down (improvisation)
13. Story Of Isaac
14. Chelsea Hotel [#1]
15. Hey, That’s No Way To Say Goodbye
16. Passin’ Through
17. Short Improvisation / Sisters Of Mercy
18. Avalanche – solo
19. Kevin Barry
21. As Time Goes By
22. Sing Another Song, Boys
23. Bird On The Wire