Leonard Cohen Explains Why There Are Two Limos In Chelsea Hotel #2

Why are there two limos [in Chelsea Hotel #2]?

One for each of us. We’re both waiting to leave. We’re both killing time or something.quotedown2

Leonard Cohen


From Having Lunch With Leonard Cohen by Jon Wilde, Sabotage Times. Dec 3, 2015 (the quote itself is taken from a 1988 interview).

“I remember you well at the Chelsea Hotel / That’s all. I don’t think of you that often” Leonard Cohen Talks About The Final Lines Of Chelsea Hotel #2


The last line seems like a slap in the face: ‘I remember you well at the Chelsea Hotel / That’s all. I don’t think of you that often.’

I don’t know why the truth compelled me to be so ungraceful or ungracious or even ungrateful in that final moment, but I guess that is the way it came out. I didn’t want it to be just one of those elegies; I thought it deserved the truth.quotedown2

Leonard Cohen


Note: This comment by Leonard Cohen supports the contention that, thematically, the earlier versions of Chelsea Hotel (aka Chelsea Hotel #1) is elegiac while Chelsea Hotel #2 focuses on Leonard’s own feelings for and perception of the woman at the Chelsea Hotel – even if doing so results in an ignoble self-characterization. See Video: Leonard Cohen’s Elegy For Janis Joplin – Chelsea Hotel #1 (Tel Aviv 1972)

From Sincerely, L. Cohen by Brian Cullman (Details for Men, January, 1993). Photo of Janis Joplin by Columbia Records (Billboard page 5) [Public domain], via Wikimedia Commons. Photo of Leonard Cohen by Peter Brosseau/Library and Archives Canada/PA-170174. Originally posted October 17, 2014 at DrHGuy.com, a predecessor of Cohencentric

Hear Leonard Cohen Talk About Terrorism, Kerouac, Songwriting, Zen, Dylan, Joan Baez, Chelsea Hotel #1 and #2, Jennifer Warnes, & Irving Layton (1993)

Plus Paris Models Recitation, Using Computers To Write & Draw, Origins Of “Way Down Deep” and “Do Dum Dum Dum, De Do Dum Dum” In Tower of Song

Leonard Cohen interviewed about The Future
Vin Scelsa’s Idiot’s Delight – June 13, 1993

From the Soundcloud description:

This originally aired live on the Sunday night sojourn of Idiot’s Delight on WXRK (92.3 KROCK) in New York. The first attack on the World Trade Center in late February 1993 was still on everyone’s mind; thoughts and questions about the nature of “the terrorist mentality” were very much in the air. Leonard’s latest album was “The Future.” He was in New York for a concert. His thoughts on the subject were vivid and have proved chillingly prescient over the years. Note : The music played that night has been truncated for this Podcast; same with the commercial breaks. Otherwise this is how it went down. Leonard Cohen was unique … it was a great privilege to spend this time with him.


A transcript of this interview is included in Leonard Cohen On Leonard Cohen, Editor Jeff Burger

Leonard Cohen, Janis Joplin, & The Chelsea Hotel: What He Said – And Now, What She Said

Yes, this is one of those He Said, She Said things.

Leonard Cohen Said

Most Cohen fans are familiar with Leonard Cohen’s account of the sexual encounter  between him and Janis Joplin. While there are several variations, Cohen’s  introduction to “Chelsea Hotel #2” at a 1988 New York City concert is representative:1

A thousand years ago I lived at this Hotel in NYC. I was a frequent rider of the elevator on this Hotel. I will continuously leave my room and come back. I was an expert on the buttons of that elevator. One of the few technologies I really ever mastered. The door opened. I walked in. Put my finger right on the button. No hesitation. Great sense of mastery in those days. Late in the morning, early in the evening. I noticed a young woman in that elevator. She was riding it with as much delight as I was. Even though she commanded huge audiences, riding that elevator was the only thing she really knew how to do. My lung gathered my courage. I said to her “Are  you looking for someone?”  She said  “Yes, I’m looking for Kris Kristofferson  “I said  “Little Lady, you’re in luck, I am Kris Kristofferson.”  Those were generous times. Even though she knew that I was someone shorter than Kris Kristofferson, she never led on. Great generosity prevailed in those doom decades. Anyhow I wrote this song for Janis Joplin at the Chelsea Hotel.

In addition, Cohen has often reported his regret for exposing Joplin as the woman in the song. The following excerpt is from a July 8, 1994 BBC interview:

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  1. Leonard Cohen Prologues []