The last line seems like a slap in the face: ‘I remember you well at the Chelsea Hotel / That’s all. I don’t think of you that often.’
I don’t know why the truth compelled me to be so ungraceful or ungracious or even ungrateful in that final moment, but I guess that is the way it came out. I didn’t want it to be just one of those elegies; I thought it deserved the truth.
Note: This comment by Leonard Cohen supports the contention that, thematically, the earlier versions of Chelsea Hotel (aka Chelsea Hotel #1) is elegiac while Chelsea Hotel #2 focuses on Leonard’s own feelings for and perception of the woman at the Chelsea Hotel – even if doing so results in an ignoble self-characterization. See Video: Leonard Cohen’s Elegy For Janis Joplin – Chelsea Hotel #1 (Tel Aviv 1972)
From Sincerely, L. Cohen by Brian Cullman (Details for Men, January, 1993). Photo of Janis Joplin by Columbia Records (Billboard page 5) [Public domain], via Wikimedia Commons. Photo of Leonard Cohen by Peter Brosseau/Library and Archives Canada/PA-170174. Originally posted October 17, 2014 at DrHGuy.com, a predecessor of Cohencentric