[Songs Of Leonard Cohen] wasn’t rock music or lyrical protest music, It was an individual sound. It wasn’t conscious. I didn’t have and still don’t have a strategy. It just didn’t feel like a career to me. I had this naive view that I would do what I did, the world would consider it to be of a certain value and pay me accordingly. That was as far as I looked into the matter. Although, as regards psychedelia, I’d been out of touch for a bit, to tell you the truth, I’d been out in Greece, living on Hydra. At that time I could live on Hydra for $1,100 a year and live a good life. So I’d come back to Canada and make a thousand bucks doing some job or other and then go back to Hydra and write and swim and sail. I bought a house there for $1,500. I still have it. All of this sounds very idyllic but it was naive and because I’d never set up a career — what Joni Mitchell later called the ‘star-stoking machinery’ — for myself, by the time the 70’s came round and everything had gotten hard-nosed and materialistic, I got wiped out. The records stopped selling, they stopped putting some of them out in America, markets dried out and by the time the 80’s arrived, I was pretty near broke.
Note: The Joni Mitchell reference is, of course, to her lyrics from Free Man In Paris:
But for the work I’ve taken on
Stoking the star maker machinery
Behind the popular song
From Porridge? Lozenge? Syringe? by Adrian Deevoy. Q Magazine: 1991. Found at LeonardCohenFiles.