Leonard Cohen On Tattoos – I Have Seen The Future, Baby: It Is Stick-On And Temporary

Once again, Dominique BOILE has contributed a unique specimen of Leonard Cohen memorabilia: 60 x 50 millimeter stick-on temporary tattoos of the cover art from Leonard Cohen’s The Future album (Dominique  has three sets in his collection).  What could be a better symbol of Leonard Cohen’s apocalyptic vision of the future than a temporary tattoo?

Originally posted Oct 14, 2011 at DrHGuy.com, a predecessor of Cohencentric

“That’s my theme: It’s a mess – thank God.” Leonard Cohen

One idea on [The Future] is that the human predicament has no solution. We were tossed out of the garden; this isn’t paradise. And to look for perfect solutions is a very difficult burden to bear. That’s my theme: It’s a mess – thank God.quotedown2

Leonard Cohen


From 7 Reasons Leonard Cohen Is the Next-Best Thing to God by David Browne. Entertainment Weekly, Jan 8, 1993.

“When you have those moments where you inform yourself of something that wasn’t immediately apparent, that’s when it becomes interesting.” Leonard Cohen On Songwriting

In many ways, [your 1992 album] The Future picked up on what was in the air and became almost prophetic.

I think that sensibility is nothing you can summon, but it really arises if you keep uncovering the song and trying to get beneath the slogan – either the emotional slogan or the political slogan. So much of the work that I hear, there’s nothing wrong with it, but much of it has the feel of a slogan or an agenda that’s already been written. It’s a perfectly good slogan, and there are interesting variations on it. But if you’re interested in forming yourself through your work, which I think is more interesting, then you have to keep uncovering and discarding those slogans until you get something. When you have those moments where you inform yourself of something that wasn’t immediately apparent, that’s when it becomes interesting.quotedown2

Leonard Cohen


From Everyone Loves You When You’re Dead (and other things I learned from famous people) by Neil Strauss (The Truth About Lies: July 9, 2011)

Leonard Cohen Dedicates The Future Album To Rebecca De Mornay With Verses From Genesis

Leonard Cohen dedicates The Future to Rebecca De Mornay, who is also credited as a producer of the album:

And before I had done speaking in mine heart, behold, Rebecca came forth with her pitcher on her shoulder; and she went down unto the well, and drew water; and I said unto her, Let me drink, I pray thee. And she made haste, and let down her pitcher from her shoulder, and said, Drink, and I will give thy camels drink also: so I drank, and she made the camels drink also.

Genesis 24:45-46 (KJV)

Blowup of left upper corner of liner notes

Leonard Cohen’s The Future On MiniDisc 1992

Leonard Cohen’s music, increasingly relevant to our time, has been stored on and delivered by several once-modern media technologies no longer in common use. The popularity of recent posts on Leonard Cohen albums in Reel-To-Reel format1 have prompted a consideration of other obsolete media formats.

Note: For the record (chortle), my personal favorite obsolete media for Leonard’s songs is the flexi-disc: The Leonard Cohen Flexi-Disc: It’s A Record, It’s A Postcard, It’s Two Obsolete Technologies In One

Today, for example, Dominique BOILE offers these images of the “Leonard Cohen’s The Future” Album On MiniDisc. (Not sure what a MiniDisc is? See MiniDisc:1992-2013)

Five Cohen albums were issued on MiniDisc:

  1. Leonard Cohen’s Greatest Hits (also issued as Best Of Leonard Cohen)
  2. I’m Your Man
  3. Cohen Live
  4. The Future
  5. More Best Of Leonard Cohen

As these Leonard Cohen MiniDisc albums are posted, they will be available at MiniDisc

Note: Originally posted May 11, 2014 at DrHGuy.com, a predecessor of Cohencentric

  1. See Leonard Cohen Songs Of Love And Hate On Reel To Reel – Really and Leonard Cohen Songs From A Room On Reel To Reel – Really []

“People say my vision of the future is bleak. The future is here. I think the landscape that I describe in all the songs is here.” Leonard Cohen (1993)

People say my vision of the future is bleak. The future is here. I think the landscape that I describe in all the songs is here. It is that landscape which provokes these cries. Those are not my personal politics, these are the kinds of cries that arise in response to the catastrophe in which we find ourselves. Human beings have always found themselves in a catastrophe. The human predicament is catastrophic, but these are the cries: ‘Give me back the Berlin Wall, give me Stalin and St. Paul…lie beside me baby, that’s an order’. This is the mind shattered by the predicament. So that mind which says ‘give me crack and anal sex’, also says ‘I’ll be loving you always’. In other words, all kinds of expression, irresponsible, shattered, broken, fragmented, passionate, indifferent; all these cries arise from this shattered heart, that is the heart that I confess I have, and in bars, guys occasionally confess they have.

Leonard Cohen


From Leonard Cohen…What’s Your Problem? Doom and Gloom by Patrick Humphries (Vox: February, 1993),